Beyond the Sea

• TESTED

One of America’s greatest performers, Bobby Darin lived a rags-to-riches life. He worked his way from shady nightclubs to his dream destination, The Copacabana, where he wowed crowds with "Splish Splash," "Mack the Knife" and other hits. He was a marvel at singing, songwriting and performing â€" stealing the hearts of fans everywhere despite the suffering in his own hear.The chameleon-like actor Kevin Spacey is best known for playing pyschopaths (in Seven and The Usual Suspects) and capturing a creepy mid-life crisis in American Beauty--but surprisingly, playing crooner Bobby Darin, Spacey does some snappy dancing and top-notch singing. Beyond the Sea puts Darin's life through a bit of a kaleidoscope: While singing Darin's most memorable hit, "Mack the Knife," Darin suddenly stops the show, revealing that he's not at a nightclub, but in the middle of a s! hooting a scene about his life as a nightclub performer. Why has he stopped? Because he's just seen himself as a young boy, peering from behind a curtain. Such self-conscious narrative twists recur throughout the movie, turning Darin's fight for fame and respect into a love story between his adult and childhood selves. Sandra Dee (Kate Bosworth, Win a Date with Tad Hamilton!), a hugely popular movie star in her own right, was supposedly the love of Darin's life, but she never holds his attention as does his childhood self (played by newcomer William Ullrich). It's a striking metaphor for the narcissism that drives such success-hungry entertainers. But despite (or perhaps because of) the complexity of the telling, the events never grip your emotions; though Darin's life featured hits galore and a few soap opera twists, his story lacks the seductive charm of his nighclub show. Also featuring Bob Hoskins, John Goodman, Brenda Blethyn, and Greta Scacchi. --Bret Fetzer!

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Brokeback Mountain [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged, remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith, The Insider). Starring: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Linda Cardellini, Randy Quaid, Scott Michael Campbell, Anna Faris, David Harbour Directed by: Ang LeeA sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other ! movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown! significantly. And while Jack harbors dreams of a life togeth! er, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is u! nparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark EnglehartDirected by Academy Award®-winning filmmaker Ang Lee, Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenh! aal deliver emotionally charged, remarkably moving performance! s in “ a movie that is destined to become one of the great classics of our time” (Clay Smith, The Insider).A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catche! s fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the ! sparse bleakness of McMurtry's The Last Picture Show wi! th its f ading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart

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Fantasia / Fantasia 2000 (Four-Disc Blu-ray/DVD Combo)

• FANTASIA/FANTASIA 2000 SPEC ED BLU/DVD (BLU-RAY DISC)

More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make y! ou giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. --Mark EnglehartWalt Disney's animated musical masterpiece is an extravagan! za of si ght and sound-now brilliantly restored for the first time ever in high defi nition! Blu-ray technology fi nally allows you to experience Fantasia-and Fantasia 2000, the triumphant classic it inspired-the way Walt envisioned! Plus, for the first time ever on Blu-ray, experience the 2003 Academy Award®-nominated animated short Destino-the extraordinary collaboration between Walt Disney and legendary artist Salvador Dali!

Revealing new bonus features and commentary bring the Fantasia experience to life, allowing generations of moviegoers all over the world to enjoy this timeless classic like never before. See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.

Walt Disney's animated musical masterpiece is an extravaganza of sight and sound-now brilliantly restored for the first time ever in high defi nition! Blu-ray technology fi nally allows you to experience Fantasia-and Fantasia 2000, the! triumphant classic it inspired-the way Walt envisioned! Plus, for the first time ever on Blu-ray, experience the 2003 Academy Award®-nominated animated short Destino-the extraordinary collaboration between Walt Disney and legendary artist Salvador Dali!

Revealing new bonus features and commentary bring the Fantasia experience to life, allowing generations of moviegoers all over the world to enjoy this timeless classic like never before. See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.

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The Chronicles of Riddick: Assault on Dark Athena

• Brutal hand-to-hand combat & explosive firepower
• Featuring a brand new campaign with Multiplayer (2-8 players) modes
• Stealth Mode abilities included
• Unique ?Capture Riddick?
• Complete with remake of the original Butcher Bay title

No matter how long or how hard they strive, no matter how extensive their education as a species, no matter what they experience of the small heavens and larger hells they create for themselves, it seems that humans are destined to see their technological accomplishments always exceed their ability to understand themselves.Deep in the dark recesses of the merc-ship Athena resides one of the most dangerous men in the known universe. A mercenary, butcher, hero, and death-bringer…he is Richard B. Riddick. To the unsuspecting crew of this silent metal giant, this man is nothing but a ghost. The crew silently disregards the drownin! g voice over the intercom warning them to remain on guard; a simple warning they will soon learn caries deadly consequences. Stepping into the shoes of Riddick, it's up to you to use your skills and talents to escape your hunters and perhaps deliver a beat down or two. Without question, the quickest way to dispatch your enemies is with the pointed end of your cold razor sharp steel, along with The Chronicles of Riddick: Assault on Dark Athena Prima Official Strategy Guide. Our story walkthrough will guide you through every encounter, show you how to locate and master each weapon, assist you in sneaking silently through the shadows, and help you cut down every enemy. For those people that can't get enough Riddick in their daily lives, learn the location of every bounty card to unlock all of the secret bonus content. So learn to take your skills to the next level and turn yourself from the prey into the predator.No matter how long or how hard they strive, no matter ! how extensive their education as a species, no matter what the! y experi ence of the small heavens and larger hells they create for themselves, it seems that humans are destined to see their technological accomplishments always exceed their ability to understand themselves.No matter how long or how hard they strive, no matter how extensive their education as a species, no matter what they experience of the small heavens and larger hells they create for themselves, it seems that humans are destined to see their technological accomplishments always exceed their ability to understand themselves.Fight your way to freedom.
·Each area's objectives and starting gear exposed, plus a complete walkthrough
·Hints for combat in the dark using the Eyeshine ability
·Thorough coverage of melee weapons, firearms, and items
·Stealth secrets for using the environment to escapeâ€"how to use shadows, subterfuge, and distractions to avoid patrols
·Proven close combat tactics
·Find all details to unlock new content!
Genre: Action/Adventure
Rating: UN
Release Date: 31-MAR-2009
Media Type: Blu-RayBigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy ro! les that waste the talents of Thandie Newton (as a Necromonger! conspir ator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff ShannonThere is power in darkness.Product InformationIn the dark corners of outer space the predatory Merc-ship Dark Athena bidesits time waiting for its prey. But the ship's merciless crew has little ideawhat they're up against in the rugged and ruthless man known as Riddick. Getready for a journey into an intense and dangerous science fiction world as youassume the role of this enigmatic antihero relying on your stealth speed andstrategy to overcome the Dark Athena crew and do your best to cheat death.The Chronicles of Riddick: Assault on Dark Athena is an action stealth FirstPerson Shooter set! in the rich futuristic sci-fi world of the Riddick filmsaga.  The game features a rich storyline intriguing developedcharacters and the voice acting of Vin Diesel.  The Chronicles of Riddick:Assault on Dark Athena follows up the story from the original game title asRiddick must now flee the Dark Athena following his harrowing escape from thenotorious Butcher Bay prison.   During the adventure Richard B.Riddick must escape the predatory Merc-ship Dark Athena using stealth and actionto overcome its merciless crew and challenge the nefarious Captain Revas.Be Riddick: The most ruthless criminal in the universe.  Riddick hasbeen captured by the Dark Athena a mercenary ship hellbent on eliminating himonce and for all.  Using his intense hand-to-hand combat skills explosivefirepower and lethal stealth.  Riddick must shut down the maniacalCaptain  Revas and her deadly crew.  When Riddick steps into thedarkness no one is safe.Added BonusExperience the excitement of The Chr! onicles of Riddick: Escape from Butcher Baynow re-mastered and! include d as a bonus.Product Features Go deeper into the compelling science fiction universe depicted in the films The Chronicles of Riddick and Pitch Black Assume the role of the enigmatic antihero Riddick played in the films by Vin Diesel as you attempt to oReturn to the frenetic, edge-of-your-seat universe of the Chronicles of Riddick film series with The Chronicles of Riddick: Assault on Dark Athena. In the title role played in the films by Vin Diesel, you'll fight your way through an environment filled with malevolence and horror. Take part in both range and melee combat in your attempt to escape the dark fate that awaits you, and don't hesitate to execute stealth kills and counterattacks. Become fully immersed in Riddick's world, which is rendered with cinematic and atmospheric intensity. And for the first time in the Riddick franchise you can participate in a variety of multiplayer and online options that let you share the adrenaline-pumping excitement with friends.

Riddick is back View larger.

Overcome predators View larger.

M! ultiple forms of combat View larger.

The Story In the dark corners of outer space, the predatory Merc-ship Dark Athena bides its time, waiting for its prey. But the ship's merciless crew has little idea what they're up against in the rugged and ruthless man known as Riddick. Get ready for a journey into an intense and dangerous science fiction world as you assume the role of this enigmatic antihero, relying on your stealth, speed and strategy to overcome the Dark Athena crew and do your best to cheat death. Key Game Features: Go deeper into the compelling science fiction universe depicted in the films The Chronicles of Riddick and Pitch Black Assume the role of the enigmatic antihero Riddick, p! layed in the films by Vin Diesel, as you attempt to overcome the crew of the Merc-ship Dark Athena Employ multiple forms of combat, including both ranged and melee, complete with counterattacks and stealth kills Shoot your way through Riddick's world, depicted with Hollywood-quality cinematic intensity Share the horror with friends in new multiplayer and online options, available for the first time in the Riddick franchise Experience the excitement of The Chronicles of Riddick: Escape from Butcher Bay, now remastered and included as a bonus The Return of Riddick The Chronicles of Riddick: Assault on Dark Athena is a new, action stealth First Person Shooter set in the rich, futuristic, sci-fi world of the Riddick film saga.  The game features a rich storyline, intriguing, developed characters, and the voice acting of Vin Diesel.  The Chronicles of Riddick: Assault on Dark Athena follows up th! e story from the original game title as Riddick must now flee ! the Dark Athena, following his harrowing escape from the notorious Butcher Bay prison.   During the adventure, Richard B. Riddick must escape the predatory Merc-ship Dark Athena using stealth and action to overcome its merciless crew and challenge the nefarious Captain Revas. The Chronicles of Riddick series of games takes the player deeper into the universe of Universal Pictures' films The Chronicles of Riddick and cult classic Pitch Black, which first introduced Vin Diesel as enigmatic anti-hero Riddick. The Chronicles of Riddick: Assault on Dark Athena brings the hit first person shooter to a new audience and a new generation of consoles released on PLAYSTATION®3 computer entertainment system, Xbox 360® and Windows® PC. The action-packed game, a hiâ€"definition re-imagined version of The Chronicles of Riddick: Escape from Butcher Bay, The Chronicles of Riddick: Assault on Dark Athena features an entirely new chapter in the Riddick Saga and for the first time, intense! online multiplayer combat.

Fahrenheit 9/11

• Controversy.What Controversy? In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire. Format: DVD MOVIE Gen

Acclaimed filmmaker Michael Moore (Roger & Me) takes aim at America's love affair with guns and violence in this Oscar(r)-winning* film that "demands attention" (People)! Mixing riveting footage, hilarious animation and candid interviews with everyone from the NRA's Charlton Heston to shock-rocker Marilyn Manson, Bowling for Columbine is a "brilliant" (The Hollywood Reporter) tour de force of filmmaking. *2002: Documentary FeatureMichael Moore's superb documentary (following in the footsteps of Roger & Me! and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerStudio: Tcfhe/mgm Release Date: 08/04/2008The Michael Moore Limited Edition DVD Collector's Set collects two of his landmark d! ocumentaries as well as a bonus disc of footage from the tour ! promotin g his 2003 book Dude, Where's My Country? Bowling for Columbine (2002) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. The two-disc special edition included here is officially out of print and not available separately! . Its features include an updated voice-over introduction from Michael Moore on the first disc, as well as a direct-to-camera talk on the second disc in which he discussed reactions to the film, and his reaction to winning an Oscar (he had to recite his celebrated acceptance speech because the Academy refused permission for him to show a clip, and he offered his take on who was booing whom). Other extras are an enthusiastic commentary track by Moore's former receptionists and interns; good, thoughtful, funny, and provocative interviews with ex-Clinton Press Secretary Joe Lockhart and with film critic Charlie Rose; and a moving return to Littleton, Colorado--home of Columbine High School--to find out what local people thought of the documentary.

A brazen mixture of stand-up comedy, political commentary, CEO confrontations, and shenanigans with Random House tour escorts, The Big One (1997) follows Moore's book tour to promote Downsize This. In cities ! like Des Moines, Minneapolis, St. Louis, and Portland, Moore's! lighthe arted-sounding but deeply biting humor speaking before bookstore patrons is juxtaposed with painful-to-watch confrontations with security personnel at companies such as Procter & Gamble and PayDay. Moore speaks clandestinely with Borders employees organizing a union; a woman laid off from Ford attends Moore's Rockford, Illinois, bookstore visit the same day. Though slow in spots, frustrating if not depressing in others, it's intensely funny the rest of the time. The Big One is fundamental viewing.

On the bonus disc is a 13-minute featurette, "39 Cities in 23 Days." On the tour for his book Dude, Where's My Country?, Moore enthralls and amuses enthusiastic college crowds with points about the Bush-Saudi connections, voting machines, and "weapons of mass balloonery."Michael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding th! e issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerBarberland is a rich and humorous portrayal of a community phenomenon that is quickly fading into our vanishing Americana. Through quirky tales told by the barbers who were there, we are taken back to a time when a good shave and haircut made all the ! difference in your day, and people meant more than money. From! shaving mishaps to Playboy Magazine, a trip through Barberland is a journey to be experienced before it's gone.Michael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a worl! d driven by fear and greed. --Bret FetzerControversy...What Controversy?

In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire.
To anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundance of indisputable film and video footage, and his own ironically comedic sense of righteous indignation, with the singular! intention of toppling the war-ravaged administration of Presi! dent Geo rge W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corruption, senseless death, unnecessary war, and political favoritism toward Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff Shannon

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High School Musical 2 (Extended Edition)

• It's time to sing and dance because there's so much more to celebrate in HIGH SCHOOL MUSICAL 2: EXTENDED EDITION. Experience the movie in a whole new way with a never-before-seen music sequence and rehearsal footage, plus sing lead vocals with High School Karaoke. The East High Wildcats are gearing up for big fun as they land the coolest summer jobs imaginable. Troy (Zac Efron), Gabriella

HIGH ART - DVD MovieSyd (Radha Mitchell) is an editor at a painfully pretentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Luc! y's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme, High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries. High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but High Art undeniably has some power behind it that will stick with you past the closing credits. --Jerry RenshawSyd (Radha Mitchell) is an editor at a pai! nfully p retentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Lucy's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme, High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries. High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they! lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but High Art undeniably has some power behind it that will stick with you past the closing credits. --Jerry RenshawSyd (Radha Mitchell) is an editor at a painfully pretentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Lucy's girlfriend takes a hike, the avar! icious management at the magazine pressures Syd, and, most imp! ortantly , the pair begins to travel down the road of heroin addiction. Besides the lesbian theme, High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries. High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but High Art undeniably has some power behind it that will stick with you past the closing credits. --Jerry RenshawSixties psychedelic poster art has stretched beyond the ephemeral and functional nature ! of its design to become highly collectable and internationally recognized. High Art explores both the creation of psychedelia and the imagery born of this movement. It covers the Avalon and Fillmore ballrooms who commissioned the art, the UFO Club in London and features leading American artists, profiles of British artists and it describes the collectors' experience.BETTER THAN CHOCOLATE - DVD MovieMany lesbian movies are long on charm and short on production values; Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookstore, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impending divorce. But what really complicates matters is that Maggie can't bring herself to come out to her mother; eve! n when she tries, Lila steamrolls through the conversation, li! ke she k nows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookstore's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list of books at the border that they claim are obscene. The overlapping plots are deftly juggled, the personal and political are compellingly interwoven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-colored lip-synching musical numbers give the movie some flash and the sex scenes give the movie some heat, but it's the elements of sorrow and ambiguity that really make the joy in Better Than Chocolate something to savor. --Bret FetzerJoin master kicker Hwang Jang Lee as he demonstrates over 200 kicks that you can learn!Schools out and Troy, his teammates, and Gabrielle all get jobs at a country club for the summer. Shar! pay s father runs the club so she is used to getting her way around there. Sharpay is determined to win the club s summer talent show, an event she has dominated for the last six years. She thinks getting Troy to perform with her will cinch the win, so she dumps Ryan as her partner and schemes to get Troy away from Gabriella so she can perform with him.What time is it? Time for High School Musical 2, the sequel to the Disney Channel smash that aired on Aug. 17, 2007 and became the most-watched basic-cable show ever. School is out, and Troy (Zac Efron) and Gabriella (Vanessa Hudgens) are looking forward to a summer to remember, but Troy also needs to make bank so he can go to college. As it turns out, Sharpay (Ashley Tisdale), the self-proclaimed primo girl of East High, has her eye set on primo-boy Troy, and gets him a job at the country club her parents own. It looks great for Troy when Gabriella and the rest of the Wildcats are hired also, but when he gets prefer! ential treatment from the club manager (Mark Taylor) and other! s, it pu ts all of his relationships in hot water.

Everyone's back from the original movie, including Zac's buddy Chad (Corbin Bleu), Sharpay's brother Ryan (Lucas Grabeel), and Gabriella's friend Taylor (Monique Coleman). And the songs on the hit soundtrack often parallel the originals and are just as catchy: the Troy-Gabriella duet ("You Are the Music in Me," which is later Sharpay-ized into a rock version), the sports-flavored hip-hop number ("I Don't Dance," but this time on the baseball diamond instead of the basketball court), the Gabriella lament ("Gotta Go My Own Way"), the climactic stage duet ("Everyday"), and the mass-ensemble closer ("All for One"). But the sequel doesn't just stick to the status quo. Other songs include a flashy opener ("What Time Is It"), Sharpay's poolside feature ("Fabulous"), a percussive ensemble number ("Work This Out"), and Zac's solo ("Bet On It"), and the dances are even bigger this time around, relentlessly high-energy and often spectacular! . In addition, the "let's put on a show" angle ! is only a subplot and the romance is now front and center--which means High School Musical has lost a bit of its innocence. But it's still wholesome viewing for tweens of all ages. Sharp-eyed Disney Channel fans will spot Miley "Hannah Montana" Cyrus as an extra. --David Horiuchi

On the DVD
The extended-edition DVD adds one new scene, in which Sharpay and Ryan perform the Hawaiian-themed "Humuhumunukunukuapua'a," which not only is fun but adds a bit of character development for Ryan. This number (which was on the CD as a bonus track) is incorporated into the movie and also accessible from the bonus-features menu, along with a four-minute blooper reel and music videos for "You Are the Music in Me" (one U.S. version and a Mexican version with Paulina Holguin and Roger) and "Gotta Go My Own Way (Canadian versions in French and English, both with Nikki Yanofsky). A "dance rehearsal cam" shows the ch! oreographers and cast working on nine numbers (36 minutes tota! l). Dir ector-choreographer Kenny Ortega coaches, offers pep talk, and declares, "If it wasn't for Annette Funicello and Frankie Avalon, we wouldn't be here!" There are two sing-along options, one with English subtitles and a "karaoke" version with English subtitles but no vocals. --David Horiuchi

Beyond High School Musical 2

Our High School Musical Headquarters	High School Musical 2 on Blu-ray	High School Musica! l 2 soundtrack
High School Musical	High School Musical (Remix Edition)	High School Musical, The Concert: Extreme Access Pass

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Lifetime Collective Men's Collector Jacket, Brown Combo, Large

• Fully lined
• Hidden hood in collar
• YKK zip closure

Wool through the body of the Collector jacket will keep you warm through the colder months, while the brown oiled cotton canvas on the sleeves and shoulders adds a great contrast to the black wool. We've also added an industrial clasp to the upper chest to tie it all together with a unique finish.

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Comebacks at Work: Using Conversation to Master Confrontation

• ISBN13: 9780061771026
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The workplace guide to putting "I wish I'd said" moments in the past

Ever wish that you could have a "do over" after a conversation at work? Do you often find yourself regretting what you've said to a coworkerâ€"or kicking yourself for not saying something better, stronger, or more precise? If so, you're like most people, and in Comebacks at Work, management professor and consultant Kathleen Kelley Reardon, Ph.D., provides the tips and tools you need to know what to sayâ€"and how to say it betterâ€"next time.

In this compelling, entertaining book, Reardon argues that we are responsible for 75 percent of the way we're treated at work, and our suc! cessâ€"or failureâ€"at the workplace depends largely on how we handle ourselves in conversation with our colleagues. To break free of the stale scripts and expected actions that allow politically astute people to manipulate us, we must increase our conversational awareness and effectively employ what Reardon calls "comebacks." Comebacks at Work provides a game plan for doing so and explains:

• Why some comebacks work, while others fall flat;
• Why our mind goes blank when we are confronted, and how to overcome that response;
• How to determine which comebacks work, and when to use them.

Every conversation is different, and while many situations are common, one set of comebacks isn't enough. Offering a personalized repertoire of comebacks and a plan for using them strategically as well as the skills you will need to package them for maximum effect, Comebacks at Work will prepare you for any difficult conversation that co! mes your way.

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