Tuesday, November 8, 2011

Bruce Almighty (Widescreen Edition)

  • TESTED
Movie DVDEvan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears litt! le relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling t! he era of overstuffed techno-comedies such as 1941 and ! Howar d the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Universal Evan Almighty - HD-DVD/DVD ComboFunnyman SteveCarell is at his hilarious best when his simple wish to change the world turns into a baffling request from God (Morgan Freeman) and turns his seemingly perfect life upside down. With the help of hisfamily and a comical cast of animals, Evan's unbelievable adventure leads to laugh-out-loud hilarity.Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, ! effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most ! curious kind of Hollywood blockbuster. When the flood comes, t! he film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonDVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the ! anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

Borat [Blu-ray]

  • Blu-ray, Region-free
  • UK Import
Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to co! me to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would! not be funny in America." NOT! Borat is subversively, bracing! ly funny . When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and r! acism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this! ?" and a doctor who is nonplussed by Borat's obscene medical h! istory. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and a Baywatch parody ("Sexydangerwatch"). --Donald Liebenson


Beyond Borat


All things Sacha Baron Cohen

Borat Apparel

Borat Soundtrack

Stills from Bora! t (click for larger image)




Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character w! ho is, to quote the classic Sondheim lyric, appealing and appa! lling. B ut be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. of A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts ! with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at! a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana'! s Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kenn! edy Xper iment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late ! Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this?" and a doctor who is nonplussed by Borat's obscene medical history. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and Baywatch parody ("Sexydangerwatch"). --Donald Liebenson


Beyond Borat


All things Sacha Baron ! Cohen

Borat Apparel

Borat Soundtrack

Stills from Borat (click for larger image)




Borat Sagdiyev, Kazakhstan's sixth most famous man and a leading journalist from the State run TV network, travels from his ! home in Kazakhstan to the U.S. to make a documentary. On his cross-country road-trip, Borat meets real people in real situations with hysterical consequences.It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in! a series of increasingly cringe-worthy scenes. Borat, with hi! s '70s m ustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Succes! s, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

Boss CH6920 Chaos Series 6" x 9 2-Way Speakers (Pair)

  • Power handling, peak 350 watts; magnet structure, 50 oz
  • Impedance, 4 ohm; frequency response, 50 hz ¿ 20 khz; spl 1 watt/1 meter, 92 db
  • Cone material, poly injection
  • Voice coil, 1-inch aluminum; tweeter, 2-inch polyimide dome
  • Midrange, n/a
6-Inch x 9-Inch 2-Way Speaker

Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder

  • ISBN13: 9780316042994
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Evelyn Waugh's most celebrated novel is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the novel mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous plea-sures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh. At once romantic, sensuous, comic, and somber, "Brideshead Revisited" transcends Waugh's familiar satiric exploration of his cast of lords and ladies, Catholics and eccentrics, artists and misfits, revealing him to be an elegiac, lyrical novelist! of the utmost feeling and lucidity. The edition reprinted here contains Waugh's revisions, made in 1959, and his preface to the revised edition.One of Waugh's most famous books, Brideshead Revisited tells the story of the difficult loves of insular Englishman Charles Ryder, and his peculiarly intense relationship with the wealthy but dysfunctional family that inhabited Brideshead. Taking place in the years after World War II, Brideshead Revisited shows us a part of upper-class English culture that has been disappearing steadily.

Bandidas : Widescreen Edition

  • Widescreen
Salma Hayek and Penelope Cruz have never been sexier as they team up for this hilarious, action-packed western! Determined to avenge the deaths of their fathers, Sara Sandoval (Hayek) and Maria Alvarez (Cruz) vow to seize the ill-gotten gains of robber baron Tyler Jackson (Dwight Yoakam). So, with help from a retired bank robber (Sam Shepard) and a jittery criminologist (Steve Zahn), these two beauties become unlikely outlaws, blazing a trail of larceny and laughter across Mexico!First screened in Europe and scheduled for limited release in the U.S., Bandidas can now be viewed by all fans of the visually stunning duo, Penelope Cruz and Salma Hayek. Set in Mexico 1888, Bandidas is a Western spoof about two women, Maria Alvarez (Penelope Cruz) and Sara Sandoval (Salma Hayek), who seek! to avenge the tragedies befallen both their fathers under robber baron, Tyler Jackson (Dwight Yoakam). Jackson, employed by the Bank of New York, is sent to Mexico to buy land and open banks to the detriment of local culture. Jackson kills Sara's corrupt father, Don Diego, while bandits burn down Maria's home. The two ladies band together for the community's cause. Under the tutelage of Bill Buck (Sam Sheperd), Sara and Maria develop bank robbery skills. When criminologist, Quentin Cooke (Steve Zahn), hunts them, they convert him with their strong moral sense and good looks. Like any Thelma and Louise-ish tale of women who take charge, Maria and Sara are foil characters who eventually become an invincible, sisterly team. This comedy is built around their bickering. For Sara, with European education and penchant of designer clothing, Maria is a hick who lacks refinement, yet Maria, horse whisperer, can fire a gun. The slapstick is overkill, for example when Sara wond! ers whether a bandana is Gucci or Prada. However, viewers will! love Pe nelope Cruz on horseback and the two actresses practice-kissing their foe in a brothel. Bandidas is a light film with some laughs and mucho sex appeal. -- Trinie Dalton

Beyond Bandidas


More Films from Salma Hayek



More Films from Penelope Cruz

More Comic Westerns
Stills from Bandidas







dvd

McFarlane Toys Beowulf Action Figure Grendel's Mother

  • GRENDEL'S MOTHER BEOWULF
  • Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.
  • Originally released in 2007 - Retired / Out of Production
  • From McFarlane Toys
  • Ages 14+
BEOWULF & GRENDEL - DVD MovieThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between! good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers’ attention even when the unnecessarily complex plot does not. --Paul GaitaStudio: Starz/sphe Release Date: 11/06/2007 Run time: 103 minutes Rating: RThe otherworldly landscape of Iceland lends an a! ppropriate touch of dark fantasy to this modern retelling of Beowul f, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while n! ever quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaJohn Grigsby reveals that the English had a mythology and a vibrant pagan religion as rich and complex as that of the early Celts, of which only a few precious fragments remain. One such fragment is a Dark Age poem that tells of the deeds of a monster-slaying hero Beowulf, who frees the feasting hall of a Danish king from the twelve-year tyranny of a creature named Grendel. Grigsby's conclusions will revolutionize the way we think about the ancestors of the English. He explains how they came to England from Denmark and Northern Germany and how human sacrifice was central to their religion. He shows how the memory of the forceful suppression o! f this sacrificial cult in the 5th century AD lies behind the ! seemingl y fantastic deeds of Beowulf. His discovery will restore the poem to its rightful place as a national epic.Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

The otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel! (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewer! s' attention even when the unnecessarily complex plot does not! . --P aul GaitaBased on the legendary 8th century epic poem, Beowulf follows the triumphs and trials of the legendary Norse warrior as he battles mythical beasts, including the monstrous Grendel. GRENDEL'S MOTHER BEOWULF - Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.

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