Cherry Blossom Decorative Vinyl Wall Art Sticker Decal

• Pre-cut, Peel & Stick
• Instantly brighten up any space
• Install in minutes without using any tools
• Reusable; Repositionable; Removable; 3 sheets of 12" X 17"
• Make sure to order from Visionari for genuine product

Studio: Strand Releasing Release Date: 06/16/2009 Run time: 124 minutes Rating: UrWorld Best Quality Wall Art Decoration Point Sticker. Very Quick and Easy to Use. No paint, No tools, and No wallpaper paste necessary. Just peel and stick these wall decals to most any smooth surface. Great for Kids bedroom, bathroom, living room, or even your store. How to use: 1. Think where you want your sticker to be. A . Clean the surface so it's free of dirt, dust, oil. B . Dry well. 2. Sketch your design. A. You can cut out the shape and use any tape to temporarily affix pattern to your wall. 3. Take the image out from the transfer film. Rub it with soft cloth or plastic card from the center of the image with outward motion. If the image size is too big, lift the transfer film from top and attach little by little while peeling transfer film. 4. If you want to change place, lift the image carefully so it doesn't lengthen or torn. Some paint or wall papers may fall off due to condition of attached surface.

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Gunner Palace DVD

• American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations DVD Features: , Available Subtitles: English , Available Audi

Genre: Education/General Interest, War, Documentary, Theatrical Release, Soldiers, Military (Usa), Weapons, Saddam Hussein Director: Mike Tucker Description: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bom! b-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing sol! diers in combat and hearing them talk about what it's like. ! Releas e Notes: DVD Features: Region (unknown) Audio: Stereo 2.0 Surround Sound 5.1 Additional Release Material: Deleted Scenes U.S. Theatrical Trailer DVD Rom Features: WeblinksGunner Palace may well prove to be the emblematic film of the Iraq war, offering a yet-to-be rivaled level of intimacy with the inner lives of those who hate war more than anyone--the soldiers who have to fight it. A war documentary seemingly without an agenda, at least in political terms, it appears to neither support left-wing nor right-wing interpretations of the Iraq war (or perhaps it supports both). Director Michael Tucker provides a ground-level view of the conflict by closely following members of the 2/3 Field Artillery. He lived with these soldiers, documented their daily lives in a bombed-out former pleasure palace once belonging to Uday Hussein, accompanied them on raids, and recorded their brutally honest observations on film. We learn that mortar attacks typically fail to rattle the tr! oops, but that paper bags or packages in the streets that may contain Improvised Explosive Devices evoke gut-churning anxiety. We see Iraqi civilians whose homes are raided, cowering with fear as these members of the occupation search for contraband weapons. We meet soldiers who express profound doubts about the morality of their mission, soldiers who earnestly hope they’re helping the people of Iraq, soldiers who roll on the ground with laughter at the ineffective armor they've been provided for their Humvees. Most of these men (and occasionally women) hail from small towns and vacillate between exaltation for the adventure they're experiencing on the world stage and deep confusion and disillusionment at how it's proceeding. At one point in the documentary, Tucker returns to his home in the states; some footage of him making breakfast in his kitchen is shocking when one considers that only twelve hours previous he was in a war zone. Gunner Palace recapitulates thi! s dissonant sensation by virtue of its candor and proximity to! the con flict. In the 1970s the major broadcast media brought Vietnam into our living rooms via the nightly news. Gunner Palace, practically by itself, provides the same service today. --Ryan Boudinot

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Mel Gibson's Apocalypto (Widescreen Edition)

• All Movie Guide - As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and m

From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love ! for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose hi! s well-established fascination with bodily mortification in a ! litany o f assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

!

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Stills from Mel Gibson's Apocalypto (click for larger image)

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6X Reusable Anti-Glare Screen Protector for Apple iPhone 4

• Screen Protector for iPhone 4: Quantity 6x
• Protects your iPhone 4 front LCD screen against dust and scratches and eliminate glare
• Offers tough, durable, transparent surface while keeping the LCD screen clean and unscratched
• Designed for perfect fit with the LCD screen
• Attaches smoothly with self-adhering surface; leaves no residue when removed

6X Reusable Anti-Glare Screen Protector for Apple iPhone 4

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Conan O'Brien Poster - Can't Stop 2011 Movie Teaser Flyer 11x17 - CS

• Teaser Flyer to promote the Conan O'Brien Movie Can't stop
• Conan O'Brien Movie Can't Stop Promo Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

After a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the documentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Carrey, Andy R! ichter, Steve Kroft of 60 Minutes (who gets an earful),! Eddie V edder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyAfter a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the do! cumentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Car! rey, Andy Richter, Steve Kroft of 60 Minutes (who gets ! an earfu l), Eddie Vedder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyConan O'Brien Movie Can't stop flyer

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Black Gold

• Game of bidding, strategy and exploration
• Finish the game with the most wealth to win
• Offers an abundance of intriguing gameplay choices
• Number of players 2-5
• Playing time 60-120 mins

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill me now. Yet with all his friends settling down he’s begun to think there may actually be something to this love-and-roses crap.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about mo! re than her caribou research project. It’s her declaration of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, shifters being naughty in public places, the Midnight Sun as a canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill ! me now. Yet with all his friends settling down he’s begu! n to thi nk there may actually be something to this love-and-roses crap.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about more than her caribou research project. It’s her declaration of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, s! hifters being naughty in public places, the Midnight Sun as a canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Film is for HOME USE ONLY! Copies for public screenings or use in the classroom can be purchased from California Newsreel at www(dot)newsreel(dot)org
After oil, coffee is the most actively traded commodity in the world. But for every $2 cup of coffee, a farmer receives only a few pennies. Black Gold asks us to face the unjust conditions under which our favorite drink is produced and to decide what we can do about it. The film traces the tangled trail from the two billion cups of coffee consumed each day back to the coffee farmers who produce the beans. Founder of the Oromia Coffee Farmers Cooperative Union, Tadesse Meskela is fighting to help his 70,000 Ethiopian coffee farmers by seeking out buyers willing to pay a fair price. Through his journey, Tadesse begins to expose the web of greed ! and corruption inherent to the international trading system, i! ncluding the World Trade Organization. Black Gold reminds viewers of their power to affect positive social change by way of their consumer vote. After seeing this film your coffee will never taste the same.
Film contains overprinting warning against public use in 3 points during the film, at 5 second intervals.FFGVA67 Black Gold by Fantasy Flight Games

Join the race to become the wealthiest son of a gun in West Texas. The year is 1922. The Texas Oil Boom has been in full swing for 20 years, and greedy landowners have laid claim to most of the oil reserves. Prepare to head West, surveying the Permian Basin for profitable gushers and gaining more wealth than your fellow prospectors, before the companies of East Texas sweep in and stake their claim against you.
Black Gold is a game of drilling and discovery for 2 to 5 prospectors, and play can last from 1 to 2 hours. Offering an abundance of intriguing gameplay choices and optional rules, Black Gold! presents a new experience of strategy and exploration every time. The historically inspired and detailed game components, together with the tense and exciting atmosphere of warring against your fellow prospectors, will almost have you speaking with a twang. Black Gold includes-Rulebook, Over 100 plastic pieces, Over 150 cards, 1 foldout board, 6 modular land tiles, Over 100 tokens, and 1 custom die

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American Cannibal - The Documentary

• Reality television reaches a preposterous extreme in this spoof of the addictive genre. Told through reality-techniques in a sub-documentary style, AMERICAN CANNIBAL captures the journeys that two television writers take in a last-ditch attempt to find success, no matter what the cost. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: NR Age: 880215104393 UPC: 880215104

American Cannibal has been chosen by MTV as Best Documentary of 2007.

AMERICAN CANNIBAL takes the reality television craze to the next provocative level as two out of work television writers desperately try to get their break on the small screen. Dave Roberts and Gil S. Ripley are hired by the publicity-obsessed promoter Kevin Blatt, to create a brutal all-or-nothing reality television show "where survival is just the beginning." Soon, all involved with the production realize that their lust for success is eat! ing at them literally and figuratively.

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Doomsday (Unrated Full Screen Edition)

• UNRATED. Includes R-Rated Theatrical Version too.
• Anatomy of Catastrophe: Civilization on the Brink - a "making of" featurette
• The Visual Effects and Wizardry of Doomsday - meet the visual effects wizards
• Devices of Death: Guns, Gadgets and Vehicles of Destruction
• Feature commentary with director Neil Marshall and cast members Sean Pertwee, Darren Morfitt, Rick Warden and Les Simpson (offered on Unrated Feature only)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-a! pocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision! of Scotland in ruins brings together the punk/modern primitiv! e costum e design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grab! s you right from the start, and doesn't let go till its explosive end! Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfa! ced in London (now a walled city), and Mitra is dispatched to ! find a s cientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic! zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by! Bob Hoskins) to infiltrate Scotland, which has descended into! anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

Read more »