Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace immeasurable. Brennan Manning gently encourages us to embrace that grace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoning himself to grace. And he invites us now to join him in a life of grace.
Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And! he sweetly challenges them to do the same. --Patricia Kl! einC ontemporary evangelicals have built a 'salvation culture' but not a 'gospel culture.' Evangelicals have reduced the gospel to the message of personal salvation. This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the sermons in the Book of Acts are the best example of gospeling in the New Testament. The King Jesus Gospel ends with practical suggestions about evangelism and about building a gospel culture.The first generation of Christians were not popular. They were ridiculed, persecuted, yet according to Acts 17:6-7, they "turned the world upside down." As a result, their message was communicated louder and clearer than any message before or since. Even with today's so! cial medias, big-name celebrities, and shiny evangelism techniques that add glitz and glamour to the gospel, today's Christians fail to communicate as effectively as the first followers of Christ. Simply put, the early church turned the world upside down, but today's church has been turned upside down by the world.
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).
Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight! .
While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in Lamb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out the three wise men so that Joshua can better understand what he is supposed to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls n! o punches: a young Biff has the hots for Joshua's mom, Mary, w! hich doe sn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decree that whenever something bad happens to me, there shall be bunnies around."
One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch
Monopoly Deal is a fast-paced, totally addictive card game that you can play in minutes. Deal and steal your way to success -- just collect 3 property sets to win. It sounds easy... but beware the dreaded Debt Collectors and Deal Breakers, which can flip your fortunes in the play of a card. This game provides fast-dealing, card-stealing fun for family and friends. The game includes 110 Deal Cards and instructions. It's for 2 ! to 6 players.
Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.
And now -- with a new! introduction by King's foreign agent Ralph Vicinanza, as well! as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).
With illustrations and a new frontispiece for this edition by Mark Geyer.When Stephen King originally wrote The Green Mile as a series of six novellas, he didn't even know how the story would turn out. And it turned out to be of his finest yarns, tapping into what he does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The Green Mile is the hall with a floor "the color of tired old limes" that leads to "Old Sparky" (the electric chair). The charming narrator is an old man, a prison guard, looking back on the events decades later.
Maybe it's a little too cute (there's a smart prison mouse named Mr. Jingles), maybe the pathos is laid on a little thick, but it's hard to resist the ! colorful personalities and simple wonders of this supernatural tale. And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome (it involves "Old Sparky") can be easily skipped by the squeamish.
The Green Mile won a 1997 Bram Stoker Award for Best Novel; and Tom Hanks stars in a film of the novel by Frank Darabont, the director of The Shawshank Redemption (from King's collection Different Seasons). --Fiona WebsterSet in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to exec! ution with his humanity intact.
Edgecomb has sent seventy-! eight in mates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.
And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edit! ion of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).
With illustrations and a new frontispiece for this edition by Mark Geyer.This novel taps into what Stephen King does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The charming narrator is an old man looking back on the events, decades later. Maybe it's a little too cute, maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. As Time magazine put it, "Like the best popular art, The Green Mile has the courage of its cornier convictions ... the palpable sense of King's sheer, unwavering belief in his tale is what makes the novel work as well as it finally does." And it's not a bad choice for giving to someone who doesn't understand the appeal of St! ephen King, because the one scene that is out-and-out gruesom! e can be easily skipped by the squeamish. The Green Mile was nominated for a 1997 Bram Stoker Award.Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.
Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe). With illustrations and a new frontispiece for this edition by Mark Geyer."The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen K! ing prison drama (The Shawshank Redemption was the firs! t) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas"The book was! better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfy! ing experience. The running time may try patience, but those w! ho want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas On the DVD
Anyone who has seen this Oscar-nominated film knows Frank Darabont likes to t-a-k-e h-i-s t-i-m-e. He certainly does the same in filling all three hours of his commentary track which he recorded over several sessions. Darabont has studied other DVDs and purposely does not repeat tidbits covered in the excellent new 90-minute documentary on author Stephen King and the making of the film. Other solid segments are two deleted scenes, a never-used teaser trailer, and Michael Duncan Clarke's screen test. The highlight is two remarkable tests of Tom Hanks in old-age makeup! . Both are very credible, but it was decided to use another actor. The outcome is a DVD that puts the "special" back into the special edition. --Doug ThomasThe greatest soundtrack composers have historically performed a musical tightrope act, being called upon to be stylistically inventive yet invitingly familiar, emotionally compelling without being cloying. In modern times, few have risen to the challenge like Thomas Newman. His score for Frank Darabont's adaptation of Stephen King's miraculous death row fable is an organic masterpiece, whether Newman is wringing dramatic fury from his orchestra's rhythm and percussion or, as is more often the case here, delicately shading the proceedings with a palette of sounds distinctly his own. Though seasoned with a pinch of period pop and folk music to underscore the film's period and locale, it's Newman's spare, creative soundscapes that become the film's subtle, emotional core. The composer may have grown up in a family (H! ollywood's legendary Newman clan) steeped in daunting film-mus! ic histo ry, but Newman has gratifyingly created a body of work whose attention to shade and nuance--and their crucial spiritual connections--seem more influenced by Bernard Herrmann, and that's not bad company, either. --Jerry McCulley Attwood presents the most energy efficient LED navigational lights in the world. Through the use of proprietary optical design techniques, we've optimized our lens design to harness nearly 90% of all light being generated by the LED. In doing so, our line of 3500 and 5500 series navigational lights exceed US coast guard requirements with the fewest and lowest watt LEDs of any navigational light manufactured today. Less energy used by navigational lighting means more energy available for powering your boat and enjoying time on the water. 
Listen to our interview with Frank Darabont.
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