Thursday, November 3, 2011

Halloween Hitcher Garden Flag

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Two years ago, on the same day but miles apart, Finn Darby lost two of the most important people in his life: his wife Lorena, struck by lightning on the banks of the Chattahoochee River, and his abusive, alcoholic grandfather, Tom Darby, creator of the long-running newspaper comic strip Toy Shop. Against his grandfather's dying wish, Finn has resurrected Toy Shop, adding new characters, and the strip is more popular than ever, bringing in fan letters, merchandising ! deals, and talk of TV specials. Finn has even started dating again.When a terrorist attack decimates Atlanta, killing half a million souls, Finn begins blurting things in a strange voice beyond his control. The voice says things only his grandfather could know. Countless other residents of Atlanta are suffering a similar bizarre affliction. Is it mass hysteria, or have the dead returned to possess the living? Finn soon realizes he has a hitcher within his skin... his grandfather. And Grandpa isn't terribly happy about the changes Finn has been making to Toy Shop. Together with a pair of possessed friends, an aging rock star, and a waitress, Finn races against time to find a way to send the dead back to Deadland... or die trying!HITCHER - DVD MovieSteven Spielberg's first feature film, 1971's Duel, is set on a desert highway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In t! his spiritual update from 1984, C. Thomas Howell plays a guy ! taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary, and teetering on the brink of "must see." --Andy SpletzerWorld famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by their common experience of hitching a ride sometime in! the past.

Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!World famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by their common experience of hitching a ride sometime in the past.

Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!Steven Spielberg's ! first feature film, 1971's Duel, is set on a desert hig! hway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In this spiritual update from 1984, C. Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary, and teetering on the brink of "must see." --Andy SpletzerThe authority in garden flags, Toland Home Garden offers flags of the finest quality. There ! is something for everyone in our sought-after line of original fine art flags. Discover the wide range of seasonal, patriotic, holiday and renowned everyday designs. The quality of Toland Home Garden keeps the customers returning for more.

Artie Lange's Beer League featuring Artie Lange & Ralph Macchio

  • Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winning not only the league trophy but a new life are co
Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. Starring Artie Lange and Ralph Macchio. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winningâ€"not only the league trophy but a new lifeâ€"are considerably amped along with the comedy and chaos.It's! appropriate that this extravaganza of lowbrow cinema had its premiere at the 2006 Cinevegas Film Festival, because what happens in Artie Lange's Beer League should stay in Artie Lange's Beer League. Lange is most recognizable for his stint in the Mad TV ensemble, but probably more idolized by the people who will get wild kicks from his leading man debut as the resident guest-baiter and booze/scatological/flatulence/sex joke expert on Howard Stern's radio show. Those are the same kinds of laughs this movie relies on in telling the wisp of a story about a bunch of New Jersey boneheads whose lives are fulfilled by softball games and the beer-guzzling that goes on before, during, and after. Artie's team is proud to be in the bottom ranks of their league, especially when brawls erupt at games against their slick, archrival team. Artie and the rest of his team know these arrogant jerks in their immaculate black (of course) uniforms are unbeatable, so it's on! ly natural that Artie thinks its easier to just beat the hell ! out of t hem. The local cop who's had to deal with both teams finally gets so angry with the escalating brawls that he issues an ultimatum: Whichever team loses the season has to disband and never play on the league again. It's kind of an utterly tasteless version of The Bad News Bears for people who like their movies vulgar, offensive, misogynistic, and often really funny in spite of it all. Some of the subplots and supporting players include Ralph Macchio as one of Artie's childhood friends who's about to get married (cue depraved bachelor party scene with lots of topless babes), Mary Birdsong from Reno 911! as a kooky waitress, and a delightful turn by crusty character actor Seymour Cassel as Artie's teammate Dirt, who may be old but loves booze, fisticuffs, and debauchery as much as anyone. For some reason, Artie's foul-mouthed slobbery attracts a local Jersey girl (Cara Buono), even though he's jobless and still lives with his mom (Laurie Metcalf, who should get so! me kind of good sport award). The buffoonery doesn't just stop with the movie. There's also more than two hour of bonus material tailored for Artie Lange enthusiasts who probably number more than you'd think -- whether they'd ever admit it or not. --Ted Fry

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Neither sex has cornered the market for crazy. But in these seven reprinted essays by bestselling author Diana Estill, the competition is brutal. Determining which behaviors are most insane often depends on who’s making the call. Both genders will relate to these funny vignettes about the ways men and women inadvertently drive each other bonkers.

Diana Estill is a ForeWord Book of the Year finalist and the author of Stilettos No More, Deedee Divine’s Totally Skewed Guide to Life, and Driving on the Wrong Side of the Road.

6,000 words

The seven essays included in You Can’t Change Crazy are a thematic collection assembled from works previously published by this author.
Neither sex has cornered the market for craz! y. But in these seven reprinted essays by bestselling author Diana Estill, the competition is brutal. Determining which behaviors are most insane often depends on who’s making the call. Both genders will relate to these funny vignettes about the ways men and women inadvertently drive each other bonkers.

Diana Estill is a ForeWord Book of the Year finalist and the author of Stilettos No More, Deedee Divine’s Totally Skewed Guide to Life, and Driving on the Wrong Side of the Road.

6,000 words

The seven essays included in You Can’t Change Crazy are a thematic collection assembled from works previously published by this author.
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Fascination

  • This is ROLLIN at his best; visual delights, sensual lesbian lovemaking, and the beautiful Brigitte Lahaie as a scythe-wielding avenger, and a group of castle dwelling bourgeois women blood-drinkers. Two women chosen by the group must slaughter and communally consume in a cannibalistic vampire way. Format: DVD MOVIE Genre: HORROR Rating: NR MA Age: 844015000286 UPC: 
Against a deceptively tranquil background of tropical breezes and secluded beaches, a sultry tale of obsession and seduction unfolds in this riveting erotic thriller. Starring Jacqueline Bisset, Adam Garcia, Alice Evans, and James Naughton, Fascination throbs with danger, deceit, passion, and suspense. Scott Doherty (Garcia) is baffled and distraught after his father mysteriously drowns. His confusion turns to fury, however, when his mother, Maureen (Bisset), returns from a cruise just a few weeks later with her ne! w lover, Oliver Vance (Stuart Wilson). Suspecting foul play, Scott confides in Oliver's beautiful daughter, Kelly (Evans); and as the two begin their own investigation, they succumb to unbridled passion. But Kelly has dark secrets of her own, and while she seems to be the love of Scott's life, she could also be the end of it.

What triggers fascination, and how do companies, people, and ideas put those triggers to use?

Why are you captivated by some people but not by others? Why do you recall some brands yet forget the rest? In a distracted, overcrowded world, how do certain leaders, friends, and family members convince you to change your behavior? Fascination: the most powerful way to influence decision making. It's more persuasive than marketing, advertising, or any other form of communication. And it all starts with seven universal triggers: lust, mystique, alarm, prestige, power, vice, and trust.

Fascination plays a role in every type of decis! ion making, from the brands you choose to the songs you rememb! er, from the person you marry to the employees you hire. And by activating the right triggers, you can make anything become fascinating.

To explore and explain fascination's irresistible influence, Sally Hogshead looks beyond marketing, delving into behavioral and social studies, historical precedents, neurobiology and evolutionary anthropology, as well as conducting in-depth interviews and a national study of a thousand consumers, to emerge with deeply rooted patterns for why, and how, we become captivated.

Hogshead reveals why the Salem witch trials began with the same fixations as those in Sex and the City. How Olympic athletes are subject to obsessions similar to those of fetishists. How a 1636 frenzy over Dutch tulip bulbs perfectly mirrors the 2006 real estate bubble. And why a billion-dollar "Just Say No" program actually increased drug use among teens, by activating the same "forbidden fruit" syndrome as a Victoria's Secret catalog.

Whether ! you realize it or not, you're already using the seven triggers. The question is, are you using the right triggers, in the right way, to get your desired result? This book will show you.

This is cult director Jean Rollin at his best; visual delights, sensual lesbian lovemaking, the beautiful Brigitte Lahaie as a scythe-wielding avenger and a group of castle-dwelling bourgeois blood-drinkers. Two woman chosen by the group must find a man that they must slaughter and communally consume in a cannibalistic vampire feast.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from ang! ry partners he double-crossed, takes refuge in a lavish, moat-! protecte d mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and! a Rollin filmography. --Sean Axmaker

New School Wedding Photographer: Skip the Second Shooter / Assistant Role

  • ISBN13: 9781453614433
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A full-color reference to planning for and executing a successful wedding day shoot

Wedding photography has become a major industry, and the number of photographers getting into this field is rapidly increasingâ€"making it even more competitive. Written by top wedding photographer, Kenny Kim, this full-color reference walks you through all the major (and minor) steps involved in planning and organizing a successful wedding day shoot.

You'll get unique advice on everything from your initial meeting with the engaged couple to the final presentation of the commemorative book. Packed with checklists, schedules, etiquette tips, and much more, this book is an essential wedding photography resour! ce for every wedding photographer.

  • Provides detailed coverage of all the major and minor steps in preparing for a successful wedding day shoot
  • Explores preparation for every detail of taking unique and memorable wedding day photos
  • Spans the initial meeting with the couple all the way to presenting them with their photo album
  • Reassures you of your preparation, using checklists, schedules, etiquette tips, answers to questions, and more

From rings and vows to dancing and "wows", this resource will help you prepare to capture every moment of a couple's special day.A full-color reference to planning for and executing a successful wedding day shoot

Wedding photography has become a major industry, and the number of photographers getting into this field is rapidly increasingâ€"making it even more competitive. Written by top wedding photographer, Kenny Kim, this full-color reference walks you through all the major (and minor) steps involved in! planning and organizing a successful wedding day shoot. You 'll get unique advice on everything from your initial meeting with the engaged couple to the final presentation of the commemorative book. Packed with checklists, schedules, etiquette tips, and much more, this book is an essential wedding photography resource for every wedding photographer.

  • Provides detailed coverage of all the major and minor steps in preparing for a successful wedding day shoot
  • Explores preparation for every detail of taking unique and memorable wedding day photos
  • Spans the initial meeting with the couple all the way to presenting them with their photo album
  • Reassures you of your preparation, using checklists, schedules, etiquette tips, answers to questions, and more

From rings and vows to dancing and "wows", this resource will help you prepare to capture every moment of a couple's special day.

Tips for Engagement Photo Sessions
Amazon! -exclusive content from author Kenny Kim

Along with what I have already mentioned in the book, I want to go more in depth about engagement session. This is not just a time where you take nice photos with your couple for an hour or two. There is more than meets the eye if you execute these elements:

Communicate by Example

During a photoshoot, I see so many photographers (including myself) talking to our clients using “photography lingo”. Beca! use we as photographers constantly talk about it, I think we e! asily ma ke the assumption that others (including our clients) understand the same terms. Often times they might be just too nice to ask what we exactly mean. Or they just brush it off as it is no big deal. But a good way to communicate to your clients during a shoot is to show by example. Rather than shouting out “hold out that arm!” show them which arm and how to do it. Ask them to mirror your movement and let them know that you would not make them do things that you would not do yourself.

When I did my engagement session in Italy with Italian models, I had the difficulty of overcoming the language barrier. It was frustrating not being able to explain to them in words what I wanted them to do. So I had to resort to communicating by example. Using eye contact and body language, I was able to get them to do the things I want them to do. You are also educating your clients by showing examples of what you want them to do. As the shoot goes on, you will have to coach the! m less and less as they start to feel more comfortable. In almost all my engagement sessions, towards the middle or end of the session, I let them come up with their own poses and just make minor adjustments as they do.



Communicate Using the Right Words
Make sure that your words are clear so that anyone can understand it. During a photo shoot with my recent clients Dan & Joanne, I kept asking Dan to “Squeeze!” What I really wanted Dan to do was the embrace Joanne tightly because usually that lets out a laughter and/or a fun reaction from the girl. Every time I said “squeeze,” Dan just smiled at Joanne resulting in some fun moments captured. But half way into our shoot, when I ye! lled “Squeeze” again he stopped, looked at me and said: â€! œKenny, what do you mean by squeeze?” We both laughed as I realized that I did not communicate with him properly. Once I explained to him my reasoning, he understood the concept and did it without even me saying it to him through out the rest of the session!


Be Bold and Creative
Do not let small road blocks get in the way of capturing the right moment. When you get stuck in a situation, you can always find an alternate solution. Sometimes that means doing someth! ing daring or out of the ordinary. And it may not always work, but your clients will appreciate the effort you made to get a certain shot. When you get excited about your photography, your clients will too and will even risk a bit of embarrassment to get the shot that you/they want. So next time you shoot, try to push yourself more to do something different. Here is an example:

Shaun attended University of Chicago and really liked the Rockefeller Chapel on campus. He requested I take a few photos inside. So we walked over there only to discover that there was some kind of a service/meeting going on inside. The sanctuary was packed with people. Shaun and Joy were little disappointed but I did not want them to feel that way on their engagement session. I am a firm believer that when “life gives you lemons, you make lemonade out of it.” So I looked around for a bit trying to see if I can think of an alternate solution. Bing! (That’s the sound of light bulb turnin! g on inside my head). Then, I asked Shaun and Joy if they donâ! €™t mind being little bit adventurous. I think they liked the idea of that. I had found a small pathway between the church wall and the pews. I knew we could not communicate verbally since there was a service going on. So I asked them to go over to a specific spot and come up with their own pose (I’ve instructed them on several poses during the shoot up to this point so I knew they would deliver). To give you an idea of what the setting was actually like, I took the next photo to show the risk that my clients was willing to take to get the shot above:

At first they were a bit nervous about standing there posing and kept looking over to the congregation. I thought I placed them at just at the last row of where people were sitting to be inconspicuous. After I had taken the shot, I walked over to them only to realize what was going on. Where they were standing was not actually the last row! There were several more rows of people right next to them and they were all staring at! them smiling while they posed! I can only imagine how nerve wracking it was for Shaun & Joy! But I’m so proud of my clients â€" they stuck with it, ignored the congregation and posed as I asked them to. As a result we came up with a great photo and a fun story to share for lifetime.


Get Creative
In my book, I briefly talked about how I like to stay inspired through magazines and watching movies. It’s a great way to relax and get creative at the same time. For example, I always found this movie poster to be fun & creative. So, using this concept, I came up with my own signature shot called “Double take”. This effect can be achieved simply by having one subject still while the other walks behind them. I as a photographer also stand still and taking multiple shots of the same scene. Then I take these images and select the ones that I think will work and bring them into Adobe Photoshop where I place them on multiple layers and then blend t! hem together using layer-masking and brush away the areas that! I do no t need. The point of this lesson is not to teach you to do the same thing that I do but to come up with your own creative ideas for your shoot. You have so many things around you that will inspire you â€" so take a moment, pause from your work and enjoy life. Let your inspiration come to you naturally as you engage in other things in life.


Photos from Author Kenny Kim


Get close!
It is important to capture the dynamics of the couple. Capturing their emotion that comes out only when they are close together is very important. To achieve this, I use a zoom lens and take a few steps back to give them some space. I use the zoom to close in on them then wait for the right moment. I shoot everything in color first but like to convert some of them to B&W. Removing all the colors allows you to focus in on the subject more and not get distracted by variety of colors.

Shot specification: Canon Mark 1d IV / F5.6 1/250sec. ISO 400 /WB: Cloud / Canon L 70-200mm f2.8 lens zoomed to 170mm.


Keep the Camera Rolling!
! It is important to capture the posed shots. But don’t just! stop. K eep your camera up and ready to fire even after you are finished with your posed photo. Sometimes the unexpected things like this can happen or often times Couple’s true emotion comes out after they are done being posed. In many of my shoots, I purposely pose my couple just so that I capture their reaction right afterwards. Those are the genuine moments that show who they really are as a couple.

Shot specification: Canon Mark 1d III / F4.0 1/250sec. ISO 100 /WB: Daylight / Canon L 24-70mm f2.8 lens zoomed to 70mm.


See the Bigger Picture
Sometimes you need to step back and see the entire picture. While the bridesmaids were spending the last minute before the ceremony in prayer, I took a few shots of that then quietly removed myself so that the bride can share the intimate moment together one last time with her! closest friends. It was not until I stepped back and was getting ready to exit the room when I saw this moment. It is important to focus on the details but you need to be aware of your surroundings to see the big picture. Try this at your next wedding: shoot with both eyes open â€" one looking through your viewfinder and the other eye looking around. You’ll be surprised at so many moments that go unnoticed.

Shot specification: Canon Mark 1d III / F2.8 1/200sec. ISO 1000 /WB: Fluorescent / Canon L 16-35mm f2.8 lens zoomed to 28mm.

Hey all, this book is 120 pages of blog-ish content. It is for beginner photographers looking to get into the wedding industry. If you already have a website, and have shot a few weddings, it's probably not the right book for you. If you're sitting at square one right now, and looking for a suggested direction, and a few short cuts along the way, this is more up your alley.

If the! $20 you spend here helps book a wedding in the future, it's e! asily pa id for itself.

It is not a guide to overnight success.
There is a lot of hard work that goes into something as life changing as a new work-for-yourself career.

-----------------------------

Social media is changing the face of wedding photography. It's now even easier to get up and running with a little help from Facebook and Twitter.

It's all about laying the proper groundwork for a business that will make you happy in the future. This book will help you create a business that targets couples that you really get along with, and have fun with.
Beyond that, it's about creating your ideal lifestyle, as well as portfolio - and using social media (Facebook, Twitter, Blogs, Etc) to help grow your business.

This is the book to read if you're just getting started as a wedding photographer. It details the steps I took to go from 0 weddings one season, to 37 weddings the next year and 47 the year following.
--------------------------------

It is broken up into the following sections:

Part 1: Getting Up and Running (FAST!)
Detailed advice on how to set yourself up for success in the future.

Part 2: Shooting
Walk through a wedding day, and remove some uncertainty from the days events. Another perspective on how to professionally photograph a wedding

Part 3: Two Day Workflow
Don't spend all of your time managing behind the scenes activities, and regain some of your life freedom

Part 4: A Few More Advanced Topics
General information about how to keep your business growing.

Part 5: Advanced Social Media and Online Marketing
Book more weddings by getting smart on the web.


--------------------

New School Wedding Photographer is written from my experience, and contains information about how I would suggest starting a wedding photography business righ! t now.

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The tree is decorated, the cookies are baked, and the packages are wrapped, but the biggest celebration this Christmas is Gaby Summerhill's wedding. Since her husband died three years ago, Gaby's four children have drifted apart, each consumed by the turbulence of their own lives. They haven't celebrated Christmas together since their father's death, but when Gaby announces that she's getting married--and that the groom will remain a secret until the wedding day--she may finally be able to bring them home for the holidays.

But the wedding isn't Gaby's only surprise--she has one more gift for her children, and it could change all their lives! forever. With deeply affecting characters and the emotional twists of a James Patterson thriller, The Christmas Wedding is a fresh look at family and the magic of the season.The tree is decorated, the cookies are baked, and the packages are wrapped, but the biggest celebration this Christmas is Gaby Summerhill's wedding. Since her husband died three years ago, Gaby's four children have drifted apart, each consumed by the turbulence of their own lives. They haven't celebrated Christmas together since their father's death, but when Gaby announces that she's getting married--and that the groom will remain a secret until the wedding day--she may finally be able to bring them home for the holidays.

But the wedding isn't Gaby's only surprise--she has one more gift for her children, and it could change all their lives forever. With deeply affecting characters and the emotional twists of a James Patterson thriller, The Christmas Wedding is a fresh look at! family and the magic of the season.

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